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We here at Gallery Two-Ten always enjoy sharing what the press has to say about us. |
| May 16, 2008: | Best art Gallery of 2008 from The Gazette |
| The city's newest high-end art gallery raises the bar locally, with uncrowded spaces, warm light and an excellent selection of regional art. | |
| February 15, 2008: | Uptown goes downtown from Independent |
Uptown goes downtown with 6,100 square feet of elegance, Gallery Two-Ten aims to attrack 'the upper brackets, people with influence'. -Nicolas Alvarado |
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| July 20, 2008: | Finest contemporary art gallery in the United Stated from The Gazette |
Located in Colorado Springs, Colorado, Gallery Two-Ten strives to be the premier exhibitor of some of the finest contemporary art work in the United States. With over 6,000 sq. ft. of display space and 15 artist studios, Gallery Two-Ten is a unique concept. |
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| February 15, 2008: | TWO NEW VISIONS Galleries with difference open downtown from The Gazette |
"One thing about Gallery Two-Ten immediately distinguishes it from the city's other high-end galleries" "A big-city feel unlike any other" wants abstracts. With 6,100 square feet of exhibition space for large canvas. "A large canvas needs to breathe" Owner Marianne Gunter said. Mark Arnest- The Gazette |
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| March 00, 2008: | An Artist can look at a blank canvas from Springs Magazine |
"Finally, a local gallery that can display wall-sized works of art." With over 6000-square-feet of space and tall ceilings, giving artist the space is not an issue. Marianne Gunter owner of the gallery, who's origionally from Amsterdam found herself standing in front of a non-descript block structure on Cimarron Street the south end of downtown. Looking beyond its faded facade and neglected interior, she dreamed of a space, open and sophisticated, houseing some of the state's most gifted artists. "Dream came true as Gallery Two-Ten opened its doors at a black-tie gala in March of 2008" |
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| September 20, 2008: | Dropping Anchor Downtown from Bon Vivant - Colorado Springs Fine Arts Monthly |
Author Aaron Retka resorts to nautical metaphors to describe Gallery Two-Ten. Two-Ten is the neighborhood's standout bright spot, with its manicured median and upscale vibe, and it's exactly what's needed: a freshly-scrubbed, vibrant and vigorous anchor. It's dab of class in a cement sea that might just attract other, similar dabs, and it turns out that this is just what Two-Ten is trying to do. With 6,000 sq. ft. a huge space, it's no surpise that the varity of style represented by the gallery, in an array of media, are numerous. As the Independent described as "Nouveau McMansionism". The gallery also offers forays into edgier styles: the beeswax -and-pigmentworks by recent Colorado College gradute Laura Bigger; the wonderfully creepy, spidery metal sculptures by Daniel Romero based on anatomical sculptures by Da Vinci; and the faintly punk-rock collages of Ervin Clark all attest to Gunter's willingness for adventurous inclusion. Two-Ten houses a great deal of sculptures, some of which, like that of Romero, as well as some beautiful alabaster carvings, is truly striking. |
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| March 06, 2010: | From a Visitor from Steve Clement |
| I thought of something else that I wanted to tell you about your gallery today. It is another thing that holds all the disparate art together and transforms it into one cohesive whole. The best of the work in your fine gallery creates a sense of wonder in the person beholding it, and that is, in my view, what all good art ought to evoke in us when we encounter it. Wonder at the sheer beauty. Wonder at the skill of the person who formed it. Wonder at the character and nature of the exciting raw materials that were used in its creation. Wonder at the techniques and processes employed. Wonder at the God who gave his own living creations such incredible power to create in their own right. This may be the highest compliment I can pay you: your gallery indeed evokes the sense of wonder that makes us all feel once again the joy of discovery that we knew (but so many of us sadly forgot) as children. |
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| The Day They Came by Kim Phillips |
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| Anonymity by Jill Spear |
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